The religious imagery sewn throughout gives good directions for his eventual future. The spiritual quest he’s been developing takes on a more overtly religious tone, and the rhythms and arrangements are more intense. “18th Avenue (Kansas City Nightmare)” follows, showing that Stevens was in a line of work not suited to his temperament. Catch Bull At Four (1972) A sense of urgency creeps into Catch Bull At Four that mirrors Cat Stevens’s growing sense of purpose, typified by the single-minded determination of Can’t Keep It In. Even the rhythms express his difficulty reconciling the life he’d worked himself into with the spiritual life he craved. “Can’t Keep It In” lays out his frustrations with the pop world, for all to see. There’s great tension to “Sitting” and “Angelsea,” songs that come closer to rock ’n’ roll drama than anything previously in Stevens’ catalog-but “bleeding half my soul in bad company” is an ominous warning. Toute la discographie de Cat Stevens est sur. Its best moments don’t attract quick listeners but are meant for those who've been following him and his spiritual concerns. Where his previous albums- Mona Bone Jakon, Tea for the Tillerman, and Teaser and the Firecat-centered on a sweet accessibility where all could be said within the format of a folk-pop single, Catch Bull at Four is more obscure. You can hear the man who holds out hope for the human race hedging his bets. Guitar Alun DaviesBass Alan JamesDrums Gerry ConwayPiano Jean RousselPiano, Mandolin Electric Cat Stevens: 3:13: A2: Boy With A Moon & Star On His Head Acoustic Guitar Alun. Cat Stevens Catch Bull At Four (1a Ed USA) 19.000. Catch Bull at Four is a pivotal record in Cat Stevens' career. cat stevens - catch bull at four (lp album gat) cat stevens - catch bull at four. Cat Stevens Catch Bull At Four (1a Ed USA) 19.000.
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